"If there was a haven of lightness and softness in this abstract yet not oblique program, it was Amanda Miller's choreography for the Miro dancers: Much of it was everyday movements with a level of synchronization not often found in nature, and a levity that came when dancers dueted with taped street scenes shown on four grainy video monitors. Eclectic in the spirit of composer TV, one Miller moment might suggest tai chi next to another that jitterbugged."